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See Colour, Think Black and White

OUTDOOR PHOTOGRAPHY MAGAZINE INTERVIEW

In the February issue of Outdoor Photography magazines Holiday & Courses guide, I give my tips for producing stunning black and white digital images.

Digital photography holidays, tours, workshops courses to Cambodia, Vietnam USA and landscape photography workshops courses in the UK, Wales, Gower and USA

I can remember developing a print from a black & white negative in a school art class – and this being a life changing moment. I was hooked, I knew what I wanted to be; a photographer. Printing was one of my passions when I was studying for my degree in photography many moons ago and loved the whole process of developing the black & white film and developing prints. I still miss this part of photography, but nowadays black & white digital photography can still retain its visual impact.

When leading photo tours and workshops I say to my guests, ‘See colour, think black & white as this adage has served me well over the years. It will extend your opportunities, especially when conditions don’t lend themselves to colour photography. Some locations work really well in black & white such as the Grand Canyon especially when there are moody, dramatic skies.

USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen Studd

Some of the steps I use when producing digital black & white images include the following: Before taking the photograph, it is important to pre-visualise your result and it is also valuable to have a knowledge of the Zone System. Shoot in colour in RAW mode, colour space Adobe RGB.

You will have far more control over the finished result by photographing in colour and then making a black & white conversion using image processing software; my preferred one being Lightroom. Shoot on the lowest ISO possible. At high ISOs the noise (grain) is more evident; the lower the ISO the less noise. If you want to increase the grain on an image, it is best to add this in post production.

To process my images in Lightroom I do not use the basic develop module apart from maybe adding a little clarity. Instead I use the tone curve and develop the image to how I visualised it when I took the photograph.

There are many different digital print papers on the market, which have various feels and tones. This is similar to wet processed black & white prints, where each make of paper has a certain quality, along with the chemicals used in developing the print with any dodging or burning adding to the final look.

A favourite paper of mine used to be Kentmere Kentona paper, which had deep warm rich blacks with a warmer base white. To replicate the feel and look of this paper, for the digital photograph of the overgrown temple in Cambodia

Digital travel and landscape photography holidays vacations workshops photo tours to Cambodia Angkor Wat hosted by Stephen Studd

in the develop mode of Lightroom I used the split tone function. This adds more depth and character to the finished result.


My photography holidays & courses to Cambodia, Angkor Wat, Vietnam, Marrakech the USA and the Gower, can be found on my holidays website http://www.digitalphotographyholidays.com
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Black and white photography

Digital photography holidays vacations  tours workshopscourses to Myanmar Burma Cambodia Angkor Wat Vietnam Wales UK hosted by Stephen Studd

I can remember in an art class at school when we developed a print from a black and white negative, that was my life changing moment, I was hooked, I knew what I wanted to be, a photographer. Printing was one of my passions when I was studying for my degree in photography and loved the whole process of developing the black and white film and then making the prints. I still miss this part of photography, but guess nowadays black and white photography is much easier with software and has reduced the use of toxic chemicals.

I am a freelance travel and garden photographer and also run photography holidays, and on these I always say to my guests “See in colour, think black and white”. Black and white can often work better for you on even dull days or misty ones, such as this misty morning on Ha Long Bay.

Halong Bay digital travel and landscape photography holidays, vacations, tours and workshops to Asia,  Vietnam, Burma (Myanmar), Cambodia: Angkor Wat, Siem Reap, the Gower Wales UK

Halong Bay: Vietnam: Canon 100-400mm lens – f11 @640th sec ND 0.6ND grad soft -ISO 200

I liked the different tones in this scene and knew it would work well as a black and white image. Pre-visualising  your result is important and having a knowledge of the zone system is also valuable.

To produce digital black and white images these are some of the steps I use.

When taking the photograph shoot in colour and in RAW mode, colour space Adobe RGB. You will have far more control over the finished result photographing in colour and then making a black & white conversion using image processing software on your computer.

It is best to shoot on the lowest ISO possible when photographing for black & white images. At high ISO`s, noise (grain) is more evident, the lower the ISO the less noise. If you want to make the final image more grainy then it is best to add this afterwards in post production software such as Lightroom.

Having first visited Bagan in Myanmar (Burma) over 10 years ago for a shoot for National Geographic I fell in love with the place and it still remains one of my favourite places on the planet. There are over 4,000 temples dotted on the plains and the whole area has an ethereal, timeless feeling. I have been returning to Bagan ever since my first visit and have been working on a series of black and white images. I had already pre-visualised the set of black and white images of the temples and for this series I shot the originals in colour and converted them to black & white in Lightroom.

When you wet processed black and white prints, each make of paper would have a certain quality, feel and tone to them. A favourite of mine used to be Kentmere Bromide paper, which had rich neutral blacks, a brilliant base white and superb tonal rendition. I used to use this paper for selenium toned prints to produce a warm feel. To replicate this feel, in the develop mode of Lightroom I use the split tone function.

tones

I produced a set of photographs of Bagan that won an award in the travel category of the International Photography Awards. If you are producing a series of photographs that will be seen together it’s best to keep the same tone for each print so they work well  together.

digital travel and landscape photography holidays vacations tours workshops to Myanmar Burma Cambodia Angkor Wat Vietnam hosted by Stephen Studd

Bagan temples: Canon 100 – 400mm lens, f16 @ 1sec  ISO 100

In the develop mode of Lightroom, in the ‘tone curve’ you can alter the contrast of the photograph, much as you could with processing prints through choice of paper and processing. For the photograph above I adjusted the tone curve until I got the desired effect.

curve

I tend not to use the main develop functions when producing a black and white image, apart from possibly a little clarity:

untitled

On a shoot at the Grand Canyon the light was truly working for me early one morning as the sun rose above the horizon. The shafts of sunlight through the moody clouds was a photographers dream.

digital travel and landscape photography holidays vacations tours workshops to Myanmar Burma Cambodia Angkor Wat Vietnam hosted by Stephen Studd

Grand Canyon: Canon 24-70mm lens  f16 1/20th sec – ISO 100

I also thought this would make a lovely black and white. For this photograph I wanted a Kentmere Kentona photographic paper feel which featured a chloro-bromide emulsion to give warm deep rich blacks and a warm white base. For the image below I again converted it to B&W in Lightroom, altered the tone curves and split toned the image.

digital travel and landscape photography holidays vacations tours workshops to Myanmar Burma Cambodia Angkor Wat Vietnam hosted by Stephen Studd

In Cambodia I was wandering around a rural village saying hello to people in the Khmer language, when I came across this lady. She spoke back to me in Khmer and I replied back, much to her amusement. She called out all her family and got me to speak to them. They all found it funny that I was speaking their language, as they spoke no English. I was invited to their house to drink sugar palm water with them, which is highly prized, it has a lovely sweet and very earthy taste to it.

I was just about to ask if I could take some photos, when the lady had already pointed at my camera and stood up, I always find it amazing that thought always seems to have no language barriers. I took some photos of her and when she looked at them on the back of the camera she gave me the seal of approval. It is these chance encounters that really make me buzz when I am on a travel photography assignment as I love meeting the people of the country.

I was pleased with the portrait and decided to convert the photograph to black & white in Lightroom and again split toned the image.

digital travel and landscape photography holidays vacations tours workshops to Myanmar Burma Cambodia Angkor Wat Vietnam hosted by Stephen Studd

Khmer woman portrait: Canon 24-70mm lens. ISO 500 f6.8 @1/250th sec

I wanted a black and white image that this time had an old Ilford Galerie photographic paper feel.

digital travel and landscape photography holidays vacations tours workshops to Myanmar Burma Cambodia Angkor Wat Vietnam hosted by Stephen Studd

This was done by processing in Lightroom and using the tone curve and split toning to the desired effect. In this image note it has a cooler feel to it, with a little more blue hue in the shadows..

To recap, for black & white images, start thinking in black and white. Shoot in colour in RAW mode on the lowest ISO possible, then convert the final image in the post production software of your choice.

Next time you visit a photography exhibition or gallery that is displaying old wet process photographic prints take a close look at them and see the differing tones and contrasts, if you are lucky they will also display which paper they were printed on. You can use this feel of wet process photographic paper in your own digital prints.

Nowadays there are many different digital print papers on the market, these have different feels and tones too. Fine art digital printing is an art in itself, you really need a fully colour calibrated, controlled digital workflow to achieve the best results. Experiment, have fun and if you are producing black and whites for the web then try some of the techniques above, I’d love to see them.


I run travel and landscape photography holidays and tours in Burma, Cambodia and Vietnam.

I also run landscape photography workshops and weekends in the Gower, Wales and Bluebell woods photography workshops in Gloucestershire, please visit the website for full itineraries and information: www.digitalphotographyholidays.com

Newsletter subscribers receive special offers throughout the year on my travel photography holidays and landscape photography workshops, you can subscribe here

‘May the light be with you’



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IGPOTY Awards 2015; Behind the Photos

 

 

The International Garden Photographer of the Year awards have just been announced, I was Commended in the Beautiful Gardens category for this shot of Jardin Majorelle in Marrakech, Morocco.

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Morocco, Marrakech, Jardin Majorelle (Yves Saint Laurent Garden)

I visited the garden a number of times as I was in Marrakech 10 days early before guests turned up for a photography city break I run there. The garden is a photographers dream with its bold colours and planting. The cobalt blue walls are a great backdrop to any plants in pots. The plant in this pot was just catching some sunlight giving depth to the composition.

I also converted it to black and white, and was going to send this one instead as I liked the simplicity of the shot.

Which one do you prefer?

marrakech Morocco Jardin majorelle digital photography holidays tours and workshops

I was also Highly Commended in the Monochrome category for this shot of Chitting Potatoes.

Potatoes chitting by stephen studd Photography

Chitting Potatoes

This was taken with my 100mm Canon macro lens, shot in a north facing window in natural light. It was the two shoots that caught my eye as they looked like weird alien cartoon characters. Even from the simplest of subjects you can find something to photograph with the macro lens.

Congratulations to Magdalena Wasiczek for her overall winning shot: The Ballerinas

To see all the awards for this year follow this link

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Travel photography holidays & UK flower photography workshops: www.digitalphotographyholidays.com including City Break to Marrakech & Atlas Mountains.


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