Stephen Studd Photography

Travel Gardens Plants


Leave a comment

Photography tips for photographing into the sun

USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2019 with Stephen Studd grand canyon sunrise

This can be tough to get right, but I’ve found that the latest camera sensors seem to be dealing with this difficult lighting situation really well. Experiment with your camera to see how it copes and create beautiful dreamy contemporary images.

I am using this technique in both my travel and garden photography and clients really love the feel it gives.

Here are a few tips for shooting into the sun.

KEEP YOUR LENS CLEAN

Dust, grease and scratches increase the risk of getting distracting flare. If you have a lens protecting filter on, take it off as sunlight can bounce in between the filter and the lens like in the shot below.

digital photography holidays holiday vacations tour tours workshop workshops to America USA American South West Canyonlands hosted by Stephen Studd

Without the filter.

digital photography holidays holiday vacations tour tours workshop workshops to America USA American South West Canyonlands hosted by Stephen Studd

USE MANUAL MODE 

Choose the ISO you want, shoot in RAW and manual focus. Choosing your own aperture and shutter speed gives you the desired control over the effect you are after. Underexposing the image by meter reading for the sun will give you a dark silhouette and what I call a 1970’s feel which is dated to say the least.

digital travel photography holidays vacations workshops courses photographic tours to  Vietnam, Myanmar, Cambodia, Burma, South East Asia and USA America hosted by Stephen Studd Photography

 

For the shot below I got my exposure reading by pointing the camera to the far right (away from the sun), once I’d set the meter reading in manual mode I pointed the camera into the sun and got the perfect exposure with detail in everything, the subject has a blown out highlight which is the bright sun giving a more contemporary feel.

digital travel photography holidays vacations workshops courses photographic tours to  Vietnam, Myanmar, Cambodia, Burma, South East Asia and USA America hosted by Stephen Studd Photography

The shot below same technique, meter reading away from the shaft of sunlight, then moved the camera position on a tripod and then the image taken into the light, leaving detail in the surrounding rock formation at Upper Antelope Canyon.

USA america american travel landscape photography tours workshops holidays vacations 2019 with Stephen Studd

TRIPODS MAKE LIFE EASIER

When shooting backlight with the camera on a tripod, it’s easier to move the camera angle to control any distracting flare. The shot below is on a tripod, see lots of flare.

USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen Studd

ISO 100  f22 @ 1/8th sec

This type of flare I don’t like. Once the camera was on the tripod I shielded any bright sunlight getting into the lens by ‘flagging’ to block light and protecting the lens from flare. I use my Lee filters black filter pouch placed above the lens until flare disappears. This can take a few goes to get right. In the photo below the black Lee filters pouch is in the top of the frame. However you can already see the flare has been reduced with more contrast.

_MG_4405

ISO 100 f22 @ 1/8th sec  with 0.6 Grad soft ND

This is the shot I was after below. Fully flagged and no flare shooting straight into the sun. To hold more detail in the final image I used a 2 stop soft graduated ND filter.

USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen Studd

ISO 100 f22 @ 1/8th sec with 0.6 Grad soft ND

ND GRADUATED FILTERS 

These will help balance the exposure in your photograph. Remember to keep your filters clean.

As the sun was obscured behind a small cloud in the photograph below there was less chance of flare so I kept the ND grad on. Again I exposed for the far left of the frame, then pointed the camera into the sunrise light for a clean, fresh and modern sunrise feel.

USA america american landscape photography tour tours workshops holidays vacations with Stephen Studd Photography

0.6 Grad soft ND

HIDE THE SUN BEHIND AN OBJECT

Placing the sun behind an object gives you less chance of flare and can create a beautiful feel to your photograph. The shot below was taken for Paul Hervey-Brookes show garden for Viking Cruises at the RHS Hampton Court Palace flower show.

_MG_0387

The shot below taken again on Paul Hervey-Brookes garden at the RHS Chelsea Flower Show this year.

Paul Hervey-Brookes Associates,  11 Lansdown, Stroud, Gloucestershire, GL5 1BB, England, UK. landscape garden designer Viking Cruises Wellness garden gold medal RHS Chelsea Flower Show London UK 2018 photography by Stephen Studd photographer, Built by Gar

EXPERIMENT

One thing to take into consideration is that various camera models do act differently using this technique. Get to really know your camera model and what the sensor can deal with. Have fun and try out different apertures and lenses to see what effects they give. Once you’ve mastered the technique with a tripod you can use it in other styles of photography where a tripod can’t be used.

digital travel and landscape photography holidays vacations tours workshops to  Cambodia, Angkor Wat, Myanmar, Burma, Vietnam, Morocco Marrakech Marrakesh hosted by Stephen Studd

BLACK AND WHITE

The technique also works well when converting images to black and white. At the Grand Canyon the moody dramatic conditions immediately made me think I wanted a black and white image, the conditions were crying out for it. I shoot in colour in RAW, then convert to B&W later in Lightroom. You can see on the left side of the photograph the sun was shining through the clouds. I again used a 0.6ND soft graduated filter to hold detail in the stormy rain filled clouds.

USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen Studd

Do you use this technique in your photography? Hope you found the tips useful so you can put the technique to good use, I would love to see your results. Thanks for taking time to drop by the blog.

I have a blog post all about converting to B&W HERE


WARNING: Be really careful, don’t look into the sun for too long as it can damage your eyes. The main reason this technique works really well with a tripod is once the photograph is lined up you don’t need to keep looking through the viewfinder into the sun. With hand held shooting into the sun you can blind yourself.


My holidays & courses to Cambodia, Vietnam, Burma, Marrakech the USA and the Gower, can be found on my holidays website http://www.digitalphotographyholidays.com

Newsletter subscribers receive special offers throughout the year on my travel photography holiday and landscape photography workshops, you can subscribe here

‘May the light be with you’

Stephen Studd Photography: www.stephenstuddphotography.com



KEEP IN TOUCH:

Facebook:

DigitalPhotographyHolidays

stephenstuddphotography

Instagram:

@digitalphotographyholidays    

@stephenstuddphotography/

Twitter

@PhotographyHols

@StephensPhotos

 

 

Advertisements


2 Comments

USA Landscape Photography Road Trip


“One’s destination is never a place, but a new way of seeing things.” Arthur Miller

After my first road trip around the American South West with my wife in 2008, I was hooked by the immense landscapes this region has to offer.digital photography holidays holiday vacations tour tours workshop workshops to America USA American South West Canyonlands hosted by Stephen Studd

I spent all of that first trip photographing the landscapes for an agency, I was captured  by the changes in light and magnificence of the vistas. I knew this part of the world would be one that I would return to over the years.

My most recent trip here was in September 2017, spending 3 weeks photographing the landscapes for a commission and another 2 weeks leading a group of photographers on a photography tour I run. My circular route which started in Las Vegas, took me on roads that are as straight as the eye can see to small friendly towns, and through some of the world’s best desert scenery in the world

Valley of Fire State Park in Nevada is aptly named, the red sandstone formations give the area a warm fiery colouring even in bright sunlight.USa 2017 Valley of Fire Nevada digital photography holidays holiday vacations tour tours workshop workshops to America USA American South West Canyonlands hosted by Stephen StuddIt can get pretty hot here too, but the warm hued landscapes are worth the heat, especially near to sunset when the place comes on fire.

Just a couple of hours drive from the Valley of Fire is Zion National Park, one of my favourite places for photography. In the lower part of Zion you literally get neck ache looking up at the towering peaks of the mountains from the Virgin River which flows through this immense scenery.USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen Studd

However the top part of Zion is my favourite spot. I took a series of photo’s of the Navajo sandstone rock formations back in 2008 which won an award in the landscape category of the International Photography Awards.

Since then I have spent much time photographing in this area as I am fascinated by the unique Navajo sandstone landscape.

digital photography holidays vacations tours workshops to America USA American South West Canyonlands hosted by Stephen Studd

Another few hours drive away sees you at Bryce Canyon which despite its name, is not a canyon, but a collection of giant natural amphitheaters. Bryce is distinctive for its hoodoos, formed by frost weathering and stream erosion of the river and lake bed sedimentary rocks. Bryce sits at a much higher elevation than Zion and is much cooler as the rim at Bryce varies from 2,400 to 2,700 m, due to the remote location it doesn’t get the crowds that other parks do.

digital photography holidays holiday vacations tour tours workshop workshops to America USA American South West Canyonlands hosted by Stephen Studd

Sunrises here are particularly special.

USA travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen Studdas the hoodoos glow in the morning sunlight.

USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen StuddAs Utah is +1 hour ahead in time from Nevada and Arizona, sunrises are at a very comfortable 7.00am in September, no excuses for getting up for these views.

digital photography holidays holiday vacations tour tours workshop workshops to America USA American South West Canyonlands hosted by Stephen Studd

Horseshoe Bend near Page in Arizona is another favourite place for the landscape photographer, especially at sunset.

USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen Studd

Again in Page is Antelope Slot Canyon in Navajoland, a place that is really high on the photographers bucket list. Places are limited to just 6 people for the photography tours in Upper Antelope Canyon, with only 2 tours a day they can sell out years in advance. I have been lucky to have photographed here twice and already have a booking for 5 places for the September 2018 tour.

Photographing Antelope Slot Canyon has been one of the highlights of my professional photography career, the images you capture here are truly awesome, with the ever changing light bouncing around the canyon walls that have been weathered into beautiful shapes and patterns over eons of time.

Just 120 miles from Page is Monument Valley Tribal Park in Utah, the sacred heart of the Navajo Nation and a place I had always wanted to visit from an early age, it doesn’t let you down once you get there and it’s easy to see why it became an iconic symbol of the American West. My first visit was in 2008 when there was no hotel there, we camped under a cloudless sky looking at the Milky Way all night and I knew it was a place I would return to again and again.Monument Valley USA American travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen StuddThe skies here can be outrageously moody.USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen StuddIn a very synchronistic way that always seem to happen on Navajo Land, I have teamed up with a Navajo friend who has taken me way off road to a place only accessible with a Navajo guide, this has been the highlight on the photo tour I run here. The drive is totally amazing going over terrain that only a local would be confident doing, but once at the top of one of the mesa’s the panoramic views of the sandstone formations from a distance bathed in warm evening light are breath taking.Monument Valley USA American travel landscape photography toursAs for the desert night skies high up from this vantage point, you can see the Milky Way and a billion stars as there is no light pollution here. The sunrises from up here too are a landscape photographers dream.

digital travel and landscape photography holidays, vacations, tours, workshops, courses and photographic training to the USA, United States of America, Nevada, Arizona, Utah astro photography with professional photographer Stephen Studd

It’s always hard to leave Monument Valley and the amazing landscapes, but 180 miles drive away you reach yet another photographers bucket list location the Grand Canyon from the East side with its jaw dropping views.USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen StuddThe Grand Canyon is world famous for the light, which photographs well whatever the weather conditions are. I personally prefer real moody scenes as they really add drama to photographs,USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen Studdthe same scene can change within a very short space of time, making it worthwhile to stop and photograph the ever changing views that appear in front of your lens._MG_3669.jpgThere are so many great turn outs to stop at along the south rim meaning that you don’t have to walk far for stunning photographs.

USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen Studd

There is also an excellent free shuttle bus that goes to the main view points, that start way before sunrise, which is excellent news for photographers.

Historic Route 66 was my next stop on the circle route back to Vegas, which takes in USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen StuddAmericana and old-school kitsch._MG_4040-EditHackberry stores literally in the middle of nowhere is sure worth a stop on the way back,USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen Studdas is the strange little town of Chloride, those that have been there will know what I mean!USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen Studd

Taking this 14 day circular route from Las Vegas it is possible to photograph every day of the road trip, spending a few nights at the best locations, with plenty of sunrise and sunset shots along the way. There are relatively short drives on quiet roads, the longest drive I ever did in between locations was 3 hours, but still stopped on the way for some unique American shots.

digital photography holidays holiday vacations tour tours workshop workshops to America USA American South West Canyonlands hosted by Stephen Studd upper antelope canyonThe one thing you will need for a two week road trip is plenty of storage space to back up all the photographs you will take. USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen StuddInstead of heading back to the madness of Vegas after this nature immersion I like to stay in Boulder City, Nevada. On the way you pass the Hoover Dam, worthy of a quick visit. Boulder is a small compact city that you can walk around and has some fantastic places to eat and craft beer micro breweries. From here it’s only a short drive to Las Vegas airport to fly home.USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen StuddThere’s great value to be taken from photography road-tripping as they are not only full USA America Nevada Utah Arizona south west travel landscape photography tours workshops holidays vacations 2018 2019 with Stephen Studd

of wonderful adventures, but also give you space for new ideas and help you improve your landscape photography skills, and you’ll come away with powerful compelling photo’s and a whole new way of seeing the world.

CAMERA EQUIPMENT ESSENTIALS: Sturdy tripod as it can get windy, remote release, ND soft graduated filters, ND filters, spare memory cards, selection of lenses with lens hoods, including a fast wide angle lens if you intend to do any astro-photography. Plus of course back up hard drives, laptop/tablet.


I RUN LANDSCAPE PHOTOGRAPHY ROAD TRIPS in South West USA each September, the next one starting on September 9th 2018. Maximum 4 guests only, with just 1 place left. Full details and itinerary can be found on my website HERE

I also lead travel and landscape photography tours and workshops in Myanmar, Vietnam, Cambodia, Wales & England: www.digitalphotographyholidays.com


STAY CONNECTED:
Facebook: DigitalPhotographyHolidays
Instagram: @digitalphotographyholidays
Twitter: @PhotographyHols
Google +: +Digitalphotographyholidays

 


Leave a comment

Kinetic Musical Troughs and Colour – a glance back at RHS Chelsea 2017.

Photographer: Stephen Studd  -  Beneath A Mexican Sky garden,Taking my first peek at the show last year on the Sunday before press day,  Manoj Malde’s ‘Beneath a Mexican Sky’ garden stopped me in my tracks with it’s in your face bold use of colour. Having spent some time in Mexico myself I know that Mexicans are not shy of using colour.

Manoj’s garden had a quiet, relaxed feeling to it and had one of my favourite plants Agave Americana, showing the blue green colours against the orange wall and turquoise water feature.

Photographer: Stephen Studd  -  Beneath A Mexican Sky garden,

Walking around taking in the show gardens I noticed that there seemed to be a predominant colour palette of reds, oranges and yellows coming through, as seen here in Charlotte Harris’s RBC Garden with planting of Aquilegia canadensis with Zizia aurea.Photographer: Stephen Studd, The Royal Bank of Canada Garden,  D

The Hagakure Hidden Leaves garden designed by Shuko Noda was framed in red, picturing another tranquil, peaceful and calming space._MG_8459

As a professional garden photographer at Chelsea, I know that one of the hardest spots for a garden designer to fill is the one that Laurie Chetwood and Patrick Collins ‘The Silk Road’ garden filled dramatically and really showcased the colour scheme of yellows, reds and oranges in such a large scale._MG_8674The Viking Cruises ‘Garden of Inspiration’ by Sarah Eberle had bright vivid mosaics and of course the orange tree to take you straight to the Med._MG_8464The Breast Cancer Now Garden: Through the Microscope designed by Ruth Willmott_MG_8611used the colour palette of oranges, reds and yellows to great effect._MG_8613

A new feature at the show in 2017 were the BBC Radio 2 Feel Good Gardens, which were designed to uplift the senses and encourage people to lose themselves in the sights, scents, sounds, flavours and textures.

The Zoe Ball Listening Garden, designed by Skipper of the light fandango, James Alexander-Sinclair was another show stopper with the kinetic musical troughs. They were mesmerizing, just watching the sound waves ripple on the water and seeing what patterns they produced _MG_8504with the occasional splash from deep bass sound, a novel idea well executed._MG_8507The Anneka Rice ‘Colour Cutting’ garden designed by Sarah Raven was a colourful garden which had a lovely retro, nostalgic feel to it._MG_8731

The garden was a riot of colour which was blended together with great talent._MG_9075

As an allotment holder, the Chris Evans ‘Taste Garden’ designed by Jon Wheatley, reminded me of visits as a young child to my Uncle Harry’s garden in Ipswich, whilst giving me allotment envy.Photographer: Stephen Studd - The BBC Radio 2 Chris Evans Taste Garden garden, from right to left: Cabbage 'Red Jewel, Kale 'Reflex' Kale 'Redbor', lettuce 'Red Iceberg', Leek 'Cumbria', with nasturtium 'Tall mixed', sweetcorn 'Sundance', runner bean 'StThe vegetable garden also reflected the warm colours of reds and bronzes.Photographer: Stephen Studd  -  The BBC Radio 2 Chris Evans Taste Garden garden, Lettuce from right to left, 'Red Iceberg', 'Nymans', 'Lettony', Designer: Jon Wheatley

The Jeremy Vine ‘Texture Garden’ designed by Matt Keightley had so many great design ideas packed in to a small space, wow what a wall that was and great use of oversized irregular-shaped paving stones that created a feeling of space.Photographer: Stephen Studd  -  The BBC Radio 2 Jeremy Vine Texture Garden, Stone path over pond, concrete wall inlaid with moss balls, Acer Griseum, Euphorbia 'Fens Ruby',  Euphorbia 'Whistleberry Garnet',  Cirsium rivulare 'Atropurpureum', Stipa tenuiMatt’s sumptuous planting truly showcased beautiful flower, grass and conifer plant combinations alike.

Photographer: Stephen Studd  -  The BBC Radio 2 Jeremy Vine Texture Garden, Acer Griseum, Prunus serrula, Iris germanica 'Kent Pride', Cirsium rivulare 'Atropurpureum', Pinus mugo 'Mughus', Pinus mugo 'Pumilio', Stipa tenuissima, Calamagrostis x acutifl
Prunus serrula, Iris germanica ‘Kent Pride’, Cirsium rivulare ‘Atropurpureum’, Pinus mugo ‘Mughus’ & ‘Pumilio’, Stipa tenuissima, Calamagrostis x acutiflora ‘Karl Foerster’, Calamagrostis brachytricha, Melica altissima ‘Alba’, Pimpinella major ‘Rosea’, Foeniculum vulgare ‘Giant Bronze’

His garden really stood out with the combination of textures in it and coppery red tones with the grasses catching the sunlight transforming their colours whilst waving gently in the wind.Photographer: Stephen Studd  -  The BBC Radio 2 Jeremy Vine Texture Garden, Verbascum 'Firedance', Iris germanica 'Kent Pride', Stipa tenuissima, Cirsium rivulare 'Atropurpureum', Calamagrostis x acutiflora 'Karl Foerster', Calamagrostis brachytricha, M

Copper was used to great effect in Charlotte Harriss’s garden with the patinated copper pavilion._MG_8744

The sunrise light on the Breaking Ground garden, designed by Andrew Wilson and Gavin McWilliam had a striking copper wall and Stipa gigantean and other grasses again absorbing the warm morning light.Photographer: Stephen Studd - The Breaking Ground Garden, Sunrise over the garden, Stipa gigantica, Melica altissima 'Alba', Salvia nemorosa 'Caradonna', Salvia greggii 'Nachtvlinder', Verbascum phoeniculum 'Violetta', Pimpinella major 'Rosea', Designer:

Finally the RHS ‘Greening Grey Britain‘ garden designed by Professor Nigel Dunnett was brimming full of take away ideas. The living roof over the wheelie bins, growing herbs and edibles was a great idea, even down to the wooden legs with drilled holes for solitary insects._MG_9143-EditThe very contemporary urban garden showcased the principles of sustainable rainwater management, with naturalistic informal planting set against the strong shapes and forms of the paths and hard surfaces. Greening Grey Britain Garden Nigel Dunnett RHS Chelsea Flower ShThe RHS ‘Greening Grey Britain‘ campaign is addressing the fact that we are paving over the UK, which is harmful to wildlife and is damaging to the nation’s health, whilst putting homes at more risk from flooding. Working with communities to transform neglected spaces into beautiful ones, researching about plants that can make the most difference to the environment and showcasing inspirational gardening at their shows and gardens. These spaces at the shows are always inspirational as they are achievable in our own spaces, no matter how small they are, helping everyonewith ideas to “get Greening Grey Britain, one plant at a time.”  _MG_8436

With the RHS Chelsea Flower Show 2018 countdown on, I look forward to seeing the new trends in garden design at the show this year.Photographer: Stephen Studd  -  The BBC Radio 2 Jeremy Vine Texture Garden, sun reflected in small pond, Verbascum 'Firedance', Pinus mugo, Stipa tenuissima, Calamagrostis x acutiflora 'Karl Foerster', Calamagrostis brachytricha, Melica altissima 'Alba'


My garden and travel photography website is: www.stephenstuddphotography.com

Flower photography workshops & photography holidays: Digital Photography Holidays

Stay Connected:
Facebook: Stephen Studd Photography
Twitter: @StephensPhotos
Instagram: Stephen Studd Photography
Google +


Leave a comment

Macro Art – IGPOTY

The photograph I entered for the International Garden Photographer of the Year competition won 1st place in the Macro Art category. The exhibition of all winning entries from each category of the competition is presently on at Kew Gardens until March 11th. After this it will tour to various venues in the UK and The Netherlands, Gibraltar, Portugal, Spain and Germany.

Giant Carrot

Giant Carrot – 1st Place IGPOTY Macro Art

My photograph is also gracing the front cover of the Edition 11 book.

The exhibition and book showcases the winners and best entries with inspirational images of beautiful flowers, wildflower landscapes, nature and wildlife, still life of macro/plant portrait photography.

macro art photography workshop with stephen studd photographer IGPOTY front cover collection 11 International Garden Photographer of the Year 2017 2018

The photograph was taken at the Malvern Autumn show where they host the UK National Giant Vegetables Championship, all sorts of vegetables are on display as part of the competition.

People at the show were photographing the whole size of the giant veg, but to me the oversized veg look rather grotesque and  not photogenic. This made me think outside the box as a photographer and look at the subjects and interpret them in a different way, as on closer inspection they reveal patterns that are not usually seen on ordinary sized veg. I decided to produce a series of abstract images of the giant veg instead.

When I teach my photography workshops, I always talk about what is the ‘end use’ of the images you take, for these it is a series of fine art framed abstract photographs. For this set I used a Canon EF 180mm f/3.5L Macro lens to focus in close to the vegetables I photographed.

Each giant veg I photographed revealed their own unique abstract patterns as can be seen in the very small selection from the series below. Can you guess what any of them are?

onion

_R4D6207

Pumpkin

The judging panel for IGPOTY said: “Stephen’s image has emphatically answered the brief by executing a simple idea extremely well. We get lost in the extraordinary shapes, colours and textures of the carrot, which is anything but the ordinary vegetable we think we are so well accustomed with.”

Congratulations to all the other entries from the competition which can be found here: IGPOTY Macro Art

My website is: http://www.stephenstuddphotography.com


WORKSHOPS:

I am hosting two flower photography workshops in June & July in the UK at Hampshire Carnivorous Plants & The Cottage Herbery, plus Bluebell photography workshops in April

I also run travel and landscape photography holidays and tours in Cambodia, Burma, Vietnam the USA & UK. Please visit the website for full itineraries and dates of tours: www.digitalphotographyholidays.com

STAY CONNECTED:
Facebook: Stephen Studd Photography
Instagram: @stephenstuddphotography
Twitter: @StephensPhotos
Google +: +StephenStuddPhotography

 


Leave a comment

Step Inside the Quarry Garden at RHS Chatsworth

This year was the very first RHS Flower Show set in the beautiful grounds of Chatsworth House in Derbyshire. Paul Hervey-Brookes designed the Quarry Garden for the Institute of Quarrying, which celebrates it’s centenary this year.

Paul Hervey-Brookes landscape garden designer, Chatsworth RHS Flower Show 2017,  IQ Quarry Garden, Gold medal, Best in Show and Best Construction, Photography by Stephen Studd photographer for Paul Hervey-Brookes Associates,   11 Lansdown, Stroud, Glouces

The garden won a well deserved RHS Gold Medal and also won Best Show Garden & Best Construction. The commissioned “Passing Light” steel and stone wall was designed by Stroud based sculptor Ann Margreth Bohl.

 

Paul Hervey-Brookes landscape garden designer, Chatsworth RHS Flower Show 2017,  IQ Quarry Garden, Gold medal, Best in Show and Best Construction, Photography by Stephen Studd photographer for Paul Hervey-Brookes Associates,  11 Lansdown, Stroud, Glouces

Paul Hervey-Brookes, winning Gold & Best in Show, with Gareth Wilson with Best Construction award at RHS Chatsworth Flower Show.

The gardens influence was the life cycle of a quarry, with the owners having just built a modern house who are themselves influenced by Brutalist architecture.

Paul Hervey-Brookes landscape garden designer, Chatsworth RHS Flower Show 2017,  IQ Quarry Garden, Gold medal, Best in Show and Best Construction, Photography by Stephen Studd photographer for Paul Hervey-Brookes Associates,   11 Lansdown, Stroud, Glouces

The main water feature in the garden reminded me of visits to old quarries which were at one point an influence in my own landscape photography. The garden also made use of the sweeping Capability Brown landscape of Chatsworth House.

Paul Hervey-Brookes landscape garden designer, Chatsworth RHS Flower Show 2017,  IQ Quarry Garden, Gold medal, Best in Show and Best Construction, Photography by Stephen Studd photographer for Paul Hervey-Brookes Associates,   11 Lansdown, Stroud, Glouces

The rusted steel colours were picked up in the planting

Paul Hervey-Brookes landscape garden designer, Chatsworth RHS Flower Show 2017,  IQ Quarry Garden, Gold medal, Best in Show and Best Construction, Photography by Stephen Studd photographer for Paul Hervey-Brookes Associates,   11 Lansdown, Stroud, Glouces

and use of stone boulders in the design.

Paul Hervey-Brookes landscape garden designer, Chatsworth RHS Flower Show 2017,  IQ Quarry Garden, Gold medal, Best in Show and Best Construction, Photography by Stephen Studd photographer for Paul Hervey-Brookes Associates,   11 Lansdown, Stroud, Glouces

The garden was divided into different zones,

Paul Hervey-Brookes landscape garden designer, Chatsworth RHS Flower Show 2017,  IQ Quarry Garden, Gold medal, Best in Show and Best Construction, Photography by Stephen Studd photographer for Paul Hervey-Brookes Associates,   11 Lansdown, Stroud, Glouces

which worked well visually in such a large scale garden. It was truly a garden you could get lost in time watching the light bounce around during the days and seasons, especially from the hidden corners.

Paul Hervey-Brookes landscape garden designer, Chatsworth RHS Flower Show 2017,  IQ Quarry Garden, Gold medal, Best in Show and Best Construction, Photography by Stephen Studd photographer for Paul Hervey-Brookes Associates,   11 Lansdown, Stroud, Glouces

Paul’s planting palette was exquisite.Paul Hervey-Brookes landscape garden designer, Chatsworth RHS Flower Show 2017,  IQ Quarry Garden, Gold medal, Best in Show and Best Construction, Photography by Stephen Studd photographer for Paul Hervey-Brookes Associates,   11 Lansdown, Stroud, Glouces

Paul Hervey-Brookes landscape garden designer, Chatsworth RHS Flower Show 2017,  IQ Quarry Garden, Gold medal, Best in Show and Best Construction, Photography by Stephen Studd photographer for Paul Hervey-Brookes Associates,   11 Lansdown, Stroud, Glouces

The trio of awards were well justified for a garden of such immense scale at the inaugural Chatsworth House RHS Flower Show.

Paul Hervey-Brookes landscape garden designer, Chatsworth RHS Flower Show 2017,  IQ Quarry Garden, Gold medal, Best in Show and Best Construction, Photography by Stephen Studd photographer for Paul Hervey-Brookes Associates,   11 Lansdown, Stroud, Glouces

Paul has also designed the Viking Cruises World of Discovery garden which can be seen at Hampton Court Flower Show, which runs from July 4th – 9th July 2017

Paul Hervey-Brookes website: www.paulherveybrookes.com/

Gareth Wilson Landscape Services Ltd: http://www.gkwilsonlandscaping.co.uk/

Stephen Studd Photography: www.stephenstuddphotography.com

Ann Margreth Bohl: www.annmargrethbohl.com

Institute of Quarrying: www.quarrygarden.org

Stay Connected:
Facebook:
StephenStuddPhotography
Instagram: @stephenstuddphotography/
Twitter
@StephensPhotos
Google +
+Stephenstuddphotography

 

 

 

 


4 Comments

Photographing pre-sunrise & post sunset

It always amazes me when on travel and landscape photography shoots how people react to photographing a sunrise or sunset. At popular locations near these times the place can be really busy with excitable people. The main event happens and as soon as the last slither of the sun sets or first slither of the sun rising, the place becomes quiet and deserted as most people will have left rather quickly.

The after show is where the party is at for me. Once the sun has set, wait and watch the skies and the bounced around atmospheric light play on the landscape. A stillness seems to reappear that hasn`t been felt since dawn. This twilight can last for a while so patience is needed, a good tripod as exposures will be long and it is important to move your camera to manual focus.

Germany, Fussen, Alps reflected in Lake Forggensee, dawn

The shot above was taken about half an hour after sunset in Germany with the Alps in the background at pretty much my default  ISO of 100, when using my tripod.  Aperture in this case was f11 with exposure @4 seconds and lens 35mm. I also used a 0.3 ND grad filter to bring the sky and lake together exposure wise. (In this case a 0.3 as sky and foreground were pretty well matched as the sun had set half an hour earlier)

There is also a pre-show event the time between night and sunrise. This one usually has far less attendees and has its own light and colours in the sky and play on the landscape and is generally much stiller and quieter.

digital travel photography holidays vacations tours to Burma myanmar hosted by Stephen Studd, Bagan temples

Myanmar (Burma): Bagan – sunrise  ISO 100  f20 @ 16sec  ND 0.6 (2 stop) graduated filter

Both need the same equipment and patience to photograph but they are equally a joy to photograph (though on cold mornings the pre-sunrise shoot can be tough to get up for!) The main pleasure at these times of day for me is in the sky lottery, what colours are going to be produced? how long will it last? is it going to completely cloud over? When the conditions all come together a joy fills the heart and you know instinctively that you have the shot and walk away with a spring in your step.

You will need a torch, to get you to your location pre sunrise or away post sunset, it also helps you with your camera dials in low level light conditions. A tripod and shutter release cable are needed and I always use mirror lock on my camera as exposures can be long and you don’t want camera shake. I use the cameras spirit level which helps me get those horizons straight. If you do use autofocus, move it to manual, as autofocus struggles to work in the darker conditions, I always shoot in RAW mode too.

Depending on where you are photographing on the planet determines the length of the after or pre show party. In the tropics you generally only get a maximum of half an hour pre sunrise or after sunset. The point from basically photographing in the dark as the shot below to sunrise daylight happens in about 15 minutes, so you have to be ready and quick to react to the fast changing light.

digital travel photography holidays tours to Angkor Wat, Cambodia, Burma, Vietnam, Marrakech and Gower Wales hosted by Stephen Studd photographer myanmar hosted by Stephen Studd

Cambodia: Angkor Wat sunrise. ISO 100 – f8 @ 30sec

I’m often asked whether I prefer sunrises or sunsets, I much prefer sunrises as the lazy photographers are not out of bed and it is always stiller, calmer, more peaceful and accompanied by the sound of birds waking up and filling the air with song. Which do you prefer?

Go out and enjoy these spectacular times of day, you will usually have them to yourself, they still the mind and fill the soul with joy.


I run travel and landscape photography holidays and tours in Burma, Cambodia, Vietnam and the USA.

I also run landscape photography workshops and weekends in the Gower, Wales and Bluebell woods photography workshops in Gloucestershire, please visit the website for full itineraries and information: www.digitalphotographyholidays.com

Newsletter subscribers receive special offers throughout the year on my travel photography holidays and landscape photography workshops, you can subscribe here

‘May the light be with you’



Stay connected: 

Facebook:

DigitalPhotographyHolidays

StephenStuddPhotography

Instagram: @stephenstuddphotography/

Twitter

@PhotographyHols

@StephensPhotos

Google +

+Digitalphotographyholidays

+Stephenstuddphotography



Leave a comment

How to photograph snow

Arctic circle, North polar region, Europe, Scandinavia, Norway, Svalbard, Spitsbergen,  Longyearbyen, woman photographing beware of polar bears sign in Adventdalen valley

When it snows it is a great time to go out with your camera and capture its pure white freshness, but how many times do your photos appear dull and grey and lacking that freshness and purity? When photographing snow scenes or ones that have lots of white in, be attentive to your meter readings, it’s very easy to underexpose a predominately white scene.Watering can in snowSnow is much brighter than the 18% medium grey that your camera is averaged to expose for. Your camera is trying to capture the bright white scene as 18% grey which results in underexposed photos, making them look dull and grey like the one above.

So how do you make the image look bright and fresh whilst keeping detail?Watering can in snowIf your camera has an exposure compensation dial then you should dial in about 2 stops overexposure as a starting point. Exposure compensation is used to move the camera away from the cameras suggested exposure to brighter or darker ones. Look at the histogram and make sure the image preview isn`t blinking (indicating overexposed highlights). It takes a bit of practice but after a while you will be able to expose the shot perfectly. It is a good idea when practicing this technique to bracket the shot.

This scene below was a tough one to get right as the bud is against snow and the ice crystals on the bud I wanted to show with all their intricate detail.

Blackcurrant "Ben Nevis" branch with buds covered in snow and ice crystals, winter

As a starting point I added 2 stops overexposure in the exposure compensation dial, which gave a decent image with no highlights (snow & ice) overexposed. As the camera was on a tripod I then bracketed around this exposure for a perfectly exposed image which retained all the detail in the ice crystals.

On a photo shoot for Manfrotto in Svalbard this technique was essential as the whole place was covered in snow and ice at the time of year I was there. At -30C it was important to act quickly and know the way around the camera, as I had 3 pairs of gloves on, a thick outer extreme weather glove, then inside a woolen glove and a silk glove, this was a technique that Alan Hinkes told me about when I met him and asked his advice. I thought he should know, as he is the only British mountaineer to have climbed all 14 mountains with elevations greater than 8,000 metres and he also photographs his ascents. Basically you keep the 2 outer gloves on for as long as possible and for the shot remove the 2 outer gloves on the one hand leaving the silk glove when you are ready to take the photo.

For the shot below I dialled in 1 & 2/3rd stops overexposure in exposure compensation. This kept detail in the snow and also held detail in the blowing snow on the ground. The camera was mounted on a Manfrotto heavy duty 055 tripod as the strong wind blowing, nearly knocking me off my feet!

Arctic circle, North polar region, Europe, Scandinavia, Norway, Svalbard, Spitsbergen, Longyearbyen,  view towards Hiorthfjellet mountain and Adventtoppen mountain across Adventdalen valley

Again for the dog sledders below, overexposure was needed to keep the shot looking fresh, with full detail in the dogs and dog sledders.

Arctic circle, North polar region, Europe, Scandinavia, Norway, Svalbard, Spitsbergen, Longyearbyen, husky dog sled, dusk

Nowadays many people use their smartphones for blogging and for social media. In your phones camera settings there should be an exposure value / EV setting. Try shooting a snow scene without adjusting this and then shoot the same scene with it set to 1.5+ see those whites whiter, try moving it to 2+ brighter to see if this makes a difference, but be aware of over exposing the scene.

Arctic circle, North polar region, Europe, Scandinavia, Norway, Svalbard, Spitsbergen, view from Longyearbyen towards Hiorthfjellet mountain across Adventfjorden fjord, Advent Bay, woman taking photo across the bay

With this easy technique your snow will look snow white and not a dull flat grey. Have fun in the snow and keep warm!

This technique also works well with any scene that is predominantly white, such as with white flowers or buildings.

Dahlia

When you have finished photographing snow don`t forget to set exposure compensation back to 0



I run travel and landscape photography holidays and tours in Burma, Cambodia and Vietnam.

I also run landscape photography workshops and weekends in the Gower, Wales and Bluebell woods photography workshops in Gloucestershire, please visit the website for full itineraries and information: www.digitalphotographyholidays.com

Newsletter subscribers receive special offers throughout the year on my travel photography holidays and landscape photography workshops, you can subscribe here

‘May the light be with you’



Stay connected: 

Facebook:

DigitalPhotographyHolidays

StephenStuddPhotography

Instagram: @stephenstuddphotography/

Twitter

@PhotographyHols

@StephensPhotos

Google +

+Digitalphotographyholidays

+Stephenstuddphotography